[She takes a moment to breathe again, loosening up and closing her eyes, letting her body fall back into the natural stance it had fallen into. She's trying not to think about how she'll move, because that's when her brain feels like it locks up and hurts - and Jane wants to know what she can do, not what she thinks she can do.
When her eyes open, they're focused on the empty space of Stronk, and she darts forward. Her strikes aren't perfect, her movements still shaky as she tries not to think, but there's definitely a practiced fluidity to them, making use of her small size and speed to strike low, and her innate strength to strike hard. One thing is very clear - so long as Jane is trying not to doubt or overthink her movements, there's a lot of muscle memory speaking of training with a knife in her.]
no subject
[She takes a moment to breathe again, loosening up and closing her eyes, letting her body fall back into the natural stance it had fallen into. She's trying not to think about how she'll move, because that's when her brain feels like it locks up and hurts - and Jane wants to know what she can do, not what she thinks she can do.
When her eyes open, they're focused on the empty space of Stronk, and she darts forward. Her strikes aren't perfect, her movements still shaky as she tries not to think, but there's definitely a practiced fluidity to them, making use of her small size and speed to strike low, and her innate strength to strike hard. One thing is very clear - so long as Jane is trying not to doubt or overthink her movements, there's a lot of muscle memory speaking of training with a knife in her.]